Sundays with Stephen: The Beginning
This post is a quick explanation of a project of ours that I like to call “Sundays with Stephen”
The basic idea is simple enough: Watch every Stephen King movie in chronological order, one per week, with no regard for quality. Every. Single. One.
Stephen King more than any other author sums up American literature, good and bad, in the late 20th/early 21st century. He writes popularly accessible fiction addressing a wide variety of topics, even genres, unselfconsciously, and his work sells very, very well. He is the best at what he does (whether or not what he does appeals to you personally).
In addition, King has been very willing to lend his work to adaptations, even actively participating in many of them, as a writer and actor. This has resulted in a very wide body of work on film over the last three and a half decades… some of it very good. Some very bad. These adapations of his extremely popular work, in a mass entertainment medium, make up a broad cross-section of American cinema.
(Ok, enough pretentious academic stuff)
So myself and the roommate decided that we would watch them all, and document the experience. Tune in every Sunday to see the results. Will The Shining keep us awake? Will The Dead Zone foster even greater love for Christopher Walken?
Will I hang myself from the balcony rather than sit through Maximum Overdrive? Check back to find out.*
I’ve already had at least one well-meaning friend warn me off this endeavour, but I shall not be dissuaded from this noble cultural experiment. I’m ready; bring on the films, Netflix!
Update: Whoops, I forgot the rules for this little exercise.
Official Sundays with Stephen Rules:
1) All Stephen King films shall be watched in chronological order, one per week, until the most recent has been seen or shown.
1a) For the purposes of this exercise, only feature length theatrical releases shall apply. No TV movies or miniseries are mandatory; we may watch some, at our discretion.
2)All movies shall be watched in their entirety. DVDs shall be obtained from Netflix, unless already owned, and Director’s Cuts, if available, will be the preferred version screened(s)
3) Psychotropic drugs, mood elevators, and large doses of alcohol are… recommended, in the case of Maximum Overdrive.
4) Official screening order determined by IMDB
5) Only films written by Stephen King, or based on original works by King, shall apply. NO UNOFFICIAL SEQUELS (I’m looking at you, direct to video Children of the Corn movies)
*Note: If I do hang myself, I promise that I will put a post up here, in lieu of a suicide note, as a post-dated blog entry. If I fail to do so.. well, I’ll be dead. So I will no longer fear your scorn.